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Review
Excerpt from Liner Notes by journalist and music critic João da Penha
Judith Kay has a way with Brazilian music.... Her repertoire, which is eclectic without seeming disparate, is not subject to current musical fad; but includes everything from American [jazz] classics to Brazilian [bossa nova]. Singing in Portuguese with an almost perfect pronunciation, Judith places her personal mark on gems of Brazilian balladry like Billy Blanco's "Praça Mauá". "Chega de Saudade", which together with "Desafinado", [both by Jobim] are probably considered the two quintessential bossa novas, has in Judith Kay's rendition, one of the foremost
interpretations.
Moreover, not only is Judith Kay a fine singer, but she is a magnificent instrumentalist, a consummate guitarist.
All that you need to verify the aforementioned virtues of Judith Kay can be found in the five recordings made to present and in this one, "Judith Kay - Even More - Her Voice, Her Guitar" (the companion disc to "Judith Kay - Her Voice, Her Guitar Vol. 2"). Hearing is believing. Good listening to all.
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Track List
- Cheek to Cheek
(Irving Berlin)
- Little Girl Blue
(Richard Rodgers/Lorenz Hart)
- Sem Palavras [Without Words]
(Távio Bonfá)
- Tarde em Itapoá [An Afternoon in Itapoá] (Toquinho/Vinicius
de Morães)
- Peel Me a Grape
(Dave Frishberg)
- Chopin Prelude in Em
- My Blue Heaven
(Walter Donaldson/George Whiting)
- Moonlight in Vermont
(Karl Suessdorf/John Blackburn)
- O Dono do Lugar [The Boss of the Place]
(Edu Lobo/Cacaso)
- Feed Me
(Jon Hendricks)
- What Are You Doing the Rest of Your Life?
(Michel
Legrand/ Alan & Marilyn Bergman)
Total disc time: 49:20
All arrangements by Judith Kay, except Sem Palavras.
Judith plays an acoustic classical guitar, made by Asturias.
Recording Engineer – Marc Moss
Mixing Engineer – Sean D. McClintock
Producer – David A. McClintock
Judith Kay and the ChamberJazz™ Ensemble record on the Tasty label.
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