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Judith Kay: Her
Voice,
Her Guitar, Vol.2
Review, tracklist and MP3 clips
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Tracklist
It Amazes Me (Cy
Coleman/Carolyn Leigh)
(I fell in love with this after
hearing Blossom Dearies version.)
Ive Got You Under My Skin (Cole
Porter)
Lamento no Morro (Antonio
Carlos Jobim)
and Adeus America* (Haroldo
Barbosa/Geraldo Jaques)
(* My adaptation of the Rosa Passos
arrangement)
Ela é Carioca (Antonio
Carlos Jobim)
Puttin On The Ritz (Irving
Berlin)
(I found that a particular modulation
from the verse to chorus gave this song a special kick.)
Manhã de Carnaval (Luis
Bonfá Antônio Maria)
O Pato [The Duck] (Neuza
Teixeira/Jaime Silva/Jon Hendricks)
(Jon Hendricks clever words
tell the same cute story as the original Portuguese.)
Moments Notice (John
Coltrane)
Small Day Tomorrow (Bob
Dorough/Fran Landesman)
(I always dedicate this song to
all my friends who are 9-to-5ers.)
Im Old Fashioned (Jerome
Kern/Johnny Mercer)
Spring Medley:
Spring Can Really Hang You Up The Most
(Tommy Wolf/ Fran Landesman)
and
Spring Is Here (Richard
Rodgers/Lorenz Hart )
(The second song is woven into
the first as kind of an extra bridge.)
Medley: The Song Is You (Jerome
Kern/Oscar Hammerstein II) and
I Hear Music (Frank Loesser/Burton
Lane)
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CD Baby for International orders.
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Listen to
MP3 clips
(For more info, read "How to
"
at bottom of page.)
I've
Got You Under My Skin (1 min., 8 sec.)
Lamento no Morro
(1 min., 10 sec.)
Small Day Tomorrow
(1 min., 12 sec.) |
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Review
by Jack Buerkle, Ph.D.
Radio host of Jazz Encounters Today
Co-host, with Jill Pasternak, of Crossover
WRTI-90.1 (NPR, Philadelphia)
After years of being an on-air jazz album
reviewer for Philadelphia's WRTI, 90.1 FM, I've become very
selective about accepting invitations to write liner notes for
new albums.
There must be form and substance, not just
technical flash
Amidst all these possible paths, the
recorded body of work of Judith Kay goes on telling believable
stories in her unique way.
Her Voice, Her Guitar, Volume
2
opens with Cy Coleman's
It Amazes Me. If you don't fall in love with her
immediately, you're dead! Let me also shout my admiration of
Judith's sensitive treatment of two other American pieces. First,
comes her totally believable delivery of my old friend Bob Dorough's
Small Day Tomorrow. Then, it's Tommy Wolf's, Spring
Can Really Hang You Up The Most.
Five of the twelve compositions displayed here are Brazilian,
and they are among the very best of the "legends"
of this music. Judith is a good example of the special class
of American jazz singers who
perform Brazilian music
after considerable time studying the difficult nuances of
this gorgeous art form. Enjoy it! You've come to a place of
excellent music!
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HOW TO HEAR THE MP3s:
PC users can right-click on a file name and Mac users can click
and hold down on a file name to initiate a download from the
resulting contextual menu. The file should begin to play with
your browser's plugin MP3 player.
If you need a free MP3 player, bookmark this page, download
a player, then return here to hear the clips: PC users can download
Winamp; Mac users should choose one of the listed players at
mp3.com or use iTunes. |
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| Judith
Kay and the ChamberJazz Ensemble record on the Tasty label. |
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