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Judith Kay: Her Voice,
Her Guitar, Vol.2

Review, tracklist and MP3 clips
Tracklist
•It Amazes Me (Cy Coleman/Carolyn Leigh)
(I fell in love with this after hearing Blossom Dearie’s version.)

•I’ve Got You Under My Skin (Cole Porter)

•Lamento no Morro (Antonio Carlos Jobim)
and Adeus America* (Haroldo Barbosa/Geraldo Jaques)
(* My adaptation of the Rosa Passos arrangement)

•Ela é Carioca (Antonio Carlos Jobim)

•Puttin’ On The Ritz (Irving Berlin)
(I found that a particular modulation from the verse to chorus gave this song a special kick.)

•Manhã de Carnaval (Luis Bonfá Antônio Maria)

•O Pato [The Duck] (Neuza Teixeira/Jaime Silva/Jon Hendricks)
(Jon Hendricks’ clever words tell the same cute story as the original Portuguese.)

•Moment’s Notice (John Coltrane)

•Small Day Tomorrow (Bob Dorough/Fran Landesman)
(I always dedicate this song to all my friends who are 9-to-5ers.)

•I’m Old Fashioned (Jerome Kern/Johnny Mercer)

•Spring Medley:
Spring Can Really Hang You Up The Most
(Tommy Wolf/ Fran Landesman) and
Spring Is Here (Richard Rodgers/Lorenz Hart )
(The second song is woven into the first as kind of an extra bridge.)

•Medley: The Song Is You (Jerome Kern/Oscar Hammerstein II) and
I Hear Music (Frank Loesser/Burton Lane)


CD cover for Judith Kay, Her Voice, Her Guitar, Vol.2


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Listen to
MP3 clips

(For more info, read "How to …" at bottom of page.)

I've Got You Under My Skin (1 min., 8 sec.)

Lamento no Morro
(1 min., 10 sec.)

Small Day Tomorrow
(1 min., 12 sec.)
 
Review


After years of being an on-air jazz album reviewer for Philadelphia's WRTI, 90.1 FM, I've become very selective about accepting invitations to write liner notes for new albums. … There must be form and substance, not just technical flash … Amidst all these possible paths, the recorded body of work of Judith Kay goes on telling believable stories in her unique way.

Her Voice, Her Guitar, Volume 2 … opens with Cy Coleman's “It Amazes Me.” If you don't fall in love with her immediately, you're dead! Let me also shout my admiration of Judith's sensitive treatment of two other American pieces. First, comes her totally believable delivery of my old friend Bob Dorough's “Small Day Tomorrow.” Then, it's Tommy Wolf's, “Spring Can Really Hang You Up The Most.”

Five of the twelve compositions displayed here are Brazilian, and they are among the very best of the "legends" of this music. Judith is a good example of the special class of American jazz singers who … perform Brazilian music after considerable time studying the difficult nuances of this gorgeous art form. Enjoy it! You've come to a place of excellent music!
HOW TO HEAR THE MP3s:
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Judith Kay and the ChamberJazz™ Ensemble record on the Tasty label.
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